Meditations and ruminations about books and stories I'm writing, the joys and pains of publishing and marketing. Inspirations and setbacks. Also, the books I'm reading for pleasure and inspiration
Tuesday, September 29, 2015
Promotion and Publicity, find what works!
I’m sharing a link to the community The Books Machine, a website where you can find good books to read from the comfort of your electronic devices. Membership for readers is free and will give you access to free Kindle books and quality deals, specially selected for you. This link will take you to the page: http://www.thebooksmachine.com
Monday, September 28, 2015
THE TRUTH ABOUT PROMOTION TODAY
The writing life is
frustrating and rewarding in equal measure. I can find numerous ways to
procrastinate and avoid actually writing. But once started, I wonder why I
procrastinated. The story seems to appear magically. It’s like slipping into a
stream or a river, an effortless flow, originating from a source somewhere
beyond me.
Afterward there comes the
hard work—editing, rewriting, submitting and even after publishing the most
difficult work of all—promoting. Today all but the most famous, the most
prolific, writers must promote their own work if they hope to be read.
To quote from an article
from Writers’ Relief:
Once upon a time, when a big,
traditional house published a book, the author just sat back and relaxed while
the publisher did all the marketing and sales promotion.
Those days are over.
Today’s authors, whether self-published or published through a traditional house, must do the
bulk of their own marketing and promotion if they want their book to sell.
While self-published authors know this all too well, many traditionally
published authors are surprised to find that their publishers aren’t going to
take care of everything when it comes to marketing their books.
Why Publishers Aren’t Promoting Books
Traditional publishing has
changed in recent years. With the rise of self-publishing, there are many more
new books competing for the same audience—more than a million new titles are
released each year! Most publishing houses are now short on time, money, and
staff. Their marketing personnel are often overworked, and they generally put
the bulk of their resources into A-list authors. For the rest of their
lesser-known authors, traditional publishers basically hope their books will
find an audience simply by being available in a store.
Why You Must Market Your Own Book
If you’re a self-published
author, marketing your own book is a given. You may be able to purchase some
promotional help, but the brunt of the promotional work is your responsibility.
If you’re traditionally published, you’ll find most publishing houses
will prepare basic promotional materials and include your book in their
catalogs, websites, and ads; they may send out review copies, show your book at
conventions, and provide rudimentary information about your book to online
bookstores and wholesalers. Many use social media and distribute press releases
as well. If you’re lucky, they might schedule a book tour. But if your book
isn’t an instant success, you may notice the marketing support dropping off
fast.
No matter how you publish, the
fact remains that no one knows your novel like you do. No one is as passionate
about your work as you are, and it’s your reputation and career that are
on the line. Ultimately, the success of your book is up to you.
Whether you’re self-published or traditionally published,
lay the groundwork with a solid author platform and a plan for your own
promotional goals and ideas. Cross-market using your social media to build your
email list. Try to get local media coverage: TV, newspaper, and radio. And, of
course, don’t overlook the importance of “word-of-mouth” and book reviews.
Writers (like me)
feel overburdened by such requirements. Writers want to write, not spend time
harassing friends, hunting the Amazon top reviewers and begging for reviews,
going to book stores, libraries, and cafes to find an audience for their book.
But it just won’t happen today unless you are incredibly lucky or well
connected.
Nonetheless, as a
writer, I keep writing and submitting. My latest novels have been accepted by a
new publisher, Amber Quill Press and I’m looking forward to their launching.
Double Deception will be available as an ebook October 4th, and as a paperback
by the end of the month (from Amber Quill Press and Amazon.)
Rima and Chloe will be available by January 2016.
Double Deception is a mystery set in Manhattan and the Poconos with some overlap
of characters from my previous mystery, Crimson
Ice, a Pocono Mountain Mystery, also available from Amazon. (Copies have
also been donated to the Med West library in the basement.)
Reviews are helpful
in promotion, and I’m told they don’t have to be all 5 star reviews to move the
book upward on the Amazon lists.This is the cover
and the “teaser” from the opening page of Double Deception, a mystery involving
twins who have been separated at birth and grow up unaware of one another—until
they meet under the most dire of circumstances.
Fallon checked the mailbox, grabbed the magazines and forwarded
bills before she took the elevator. Without even glancing at the envelopes in
hand, she inserted the key. It wouldn’t turn. She jiggled it, pushing at the
door, which slowly swung open. Somebody’s been here, broken the lock.
She glanced into the apartment. A kitchen stool was
overturned. Sofa pillows were strewn on the floor. Better get the hell out of here. But what about Goliath?
“Goliath! Come, boy,” she called, poised for flight. She
searched her handbag for her cell. No dog. A faint whine sounded from the
inside hallway that led to the bathroom. Backing toward the elevator, she
pressed 911.
Before Fallon could stab at the call button, she heard the
elevator rising. That was quick. Gretchen must be on her way up. Fallon
shut off the phone.
Another sound—the stairway door behind her creaked. She
turned, caught a glimpse of someone leaping toward her. Black ski mask. Gloved
hands reaching for her. She flailed, but powerful arms grasped, pressed a cloth
over her face.
She kicked, struggled, knew she was being dragged into the
stairwell. Oh my God. This can’t be happening. The hall door creaked
shut just as she heard the elevator door slide open. She tried to draw in air,
scream, but sweet fumes flooded her nostrils and she slipped into darkness
Thursday, September 17, 2015
.DOUBLE DECEPTION COMING SOON! (GET A FREE COPY)
I just received the cover for my new novel, DOUBLE DECEPTION-- ebook available October 4th, paperback later in the month, from AMBER QUILL PRESS.
I think I like it. It captures the idea of twins, doubles, and mystery. It's interesting how the people who've seen the picture interpret it differently. One friend saw the faces as cracked like ancient statues. Another saw spider webs. I see the delicate pattern covering the faces as lace, suggestive of the hats women used to wear with a veil, creating an aura of mystery.
The following is a scene from the book when the sisters (identical twins) raised apart, unaware of the other's existence, confront one another for the first time:
“Oh,
you’re awake!” The woman’s voice seemed eerily familiar, and when she
approached, Fallon blinked. It seemed at first a mirage, a hallucination—a
woman with her own face, her own figure loomed above her in the dim light. She
realized, with a start, her identical twin was staring down at her.
——
Still
lightheaded, Fallon struggled to a sitting position, feeling as if she were
gazing into a slightly distorted mirror. Charlotte stared back with the same
intensity, their eyes locked on one another. Charlotte spoke first. “Who are
you? Where did you come from?”
Since
learning of her twin’s existence, Fallon had been obsessed with finding her,
yet the reality was overwhelming. Her reaction was visceral—blood pulsing at
her temples, a rush of adrenaline. Despite the pain in her head and the vertigo
that made the room spin, she reached a hand toward the figure. She tried and
failed to say her name.
Charlotte’s
face, at once strange and familiar, swam before her—pale, paler than her own. A
slight crease between her eyebrows and a certain tightness about the mouth
hinted at stress. She was slimmer, too. Her sister was staring at her,
demanding to know who she was.
Fallon
finally managed a croak. “Oh my God! Charlotte! Charlotte, you’re alive!”
“Who
are you?” Charlotte repeated. “How do you know my name? Why do you look like
me?”
Fighting
the fog in her brain, Fallon tried to explain. “I’m your twin. Your sister,
Fallon Jamison.”
“You’re
my twin? My twin?” Charlotte drew in a deep breath. “This is crazy!”
“I
only found out a few days ago.” It was still difficult to get the words out. “I
saw your picture in the park on a poster—”
“My
picture?” Charlotte’s voice faltered. “They’re looking for me?”
“You
didn’t know?”
“I don’t know anything. I don’t know what’s
going on, where I am, why I’m here. Then you show up. I thought I was losing my
mind!
HERE'S MY OFFER: The first five people who respond by sending me their name and address at my email Joanneweck@aol.com with the promise of posting an honest review will get a free copy of DOUBLE DECEPTION as soon as it is available in paperback.
Monday, September 14, 2015
PROMOTION, OH THE PAIN!
Like most writers, what I most want to do is WRITE. I want to sit at my desk in my secluded alcove and spin stories like a spider spinning a web, like Penelope weaving Laertes' shroud. Not that it's always effortless--far from it. Sometimes the writing is difficult, painful, gut wrenching.
But here's the rub. No matter how difficult it is, it's never as difficult as the task of promoting. Today writers, even the most successful according to what I'm reading, have to do much of their own promoting. They have to get out there and shout from the rooftops, or from the radio interview, from the blog, from the utube video, and also arrange their own reading venues, appearances--promote, promote, promote!
I've had invitations from book clubs, from educators, from libraries to discuss my writing and read from one of my books, and I've enjoyed the experience. I'm not shy. I'm happy to show up. It's just that the research, the going out there and finding opportunities takes away from my writing time.
I dream of being one of those reclusive writers who can sell thousands of books without leaving my desk, of having fans write me letters begging me to explain my secrets, to have name recognition and my books displayed in airports. But I'm afraid if it's all up to me, it may never happen.
My new publisher, AMBER QUILL, offers a marketing plan. They send out emails announcing new books available every day and give advice on other promotions. I'm hoping this advice will make me a better, more enthusiastic promoter. I'm breathlessly waiting for the publication of my mystery DOUBLE DECEPTION, sometime next month or early November to test it out.
But here's the rub. No matter how difficult it is, it's never as difficult as the task of promoting. Today writers, even the most successful according to what I'm reading, have to do much of their own promoting. They have to get out there and shout from the rooftops, or from the radio interview, from the blog, from the utube video, and also arrange their own reading venues, appearances--promote, promote, promote!
I've had invitations from book clubs, from educators, from libraries to discuss my writing and read from one of my books, and I've enjoyed the experience. I'm not shy. I'm happy to show up. It's just that the research, the going out there and finding opportunities takes away from my writing time.
I dream of being one of those reclusive writers who can sell thousands of books without leaving my desk, of having fans write me letters begging me to explain my secrets, to have name recognition and my books displayed in airports. But I'm afraid if it's all up to me, it may never happen.
My new publisher, AMBER QUILL, offers a marketing plan. They send out emails announcing new books available every day and give advice on other promotions. I'm hoping this advice will make me a better, more enthusiastic promoter. I'm breathlessly waiting for the publication of my mystery DOUBLE DECEPTION, sometime next month or early November to test it out.
Friday, September 4, 2015
WRITING SCENES OF SEXUAL ENCOUNTERS-- REALISM? EROTICA? PORN?
Writing scenes that portray or even suggest a sexual encounter can be difficult. Just show? Just tell? Show and tell?
My characters are driven by many forces. That's what makes for a story that people want to read. Sex and sexual attraction is a vital part of the life of any well-rounded character. A prime motivator that drives mystery and suspense. Lust. Jealousy. Suspicion. Theft. Manipulation. Betrayal. Greed. Murder. Some of the qualities that contribute to a page-turner.
I don't write erotica or porn. I don't write "romances". I try to write realistically, to present sex as a part of normal life but also as one of the natural, human drives that leads to irrational behavior, to situations that create or increase the conflicts for a novel that makes a reader ask "What happens next?"
I've been faulted for creating characters that aren't "likable" or like, Hillary, "likable enough." It is my belief that certain characters, and not just villains, are more interesting if they have minor (and sometimes not so minor) flaws.
My characters in my latest novel, RIMA AND CHLOE, the major characters are guilty of various sins and offenses--adultery, selfishness, greed, rage, betrayal. A supporting character is revealed as a pedophile and murderer. But until the denouement, he appears more sympathetically than some of the major characters.
In Rima and Chloe the adulterous love affair jumpstarts and drives the plot. Lovers betray spouses and sometimes deceive one another. But, I do believe, it is in the cause of a deeper understanding of human nature, and the ultimate redemption of the characters.
RIMA AND CHLOE, AVAILABLE FROM AMBER QUILL PUBLISHERS IN JANUARY 2016
My characters are driven by many forces. That's what makes for a story that people want to read. Sex and sexual attraction is a vital part of the life of any well-rounded character. A prime motivator that drives mystery and suspense. Lust. Jealousy. Suspicion. Theft. Manipulation. Betrayal. Greed. Murder. Some of the qualities that contribute to a page-turner.
I don't write erotica or porn. I don't write "romances". I try to write realistically, to present sex as a part of normal life but also as one of the natural, human drives that leads to irrational behavior, to situations that create or increase the conflicts for a novel that makes a reader ask "What happens next?"
I've been faulted for creating characters that aren't "likable" or like, Hillary, "likable enough." It is my belief that certain characters, and not just villains, are more interesting if they have minor (and sometimes not so minor) flaws.
My characters in my latest novel, RIMA AND CHLOE, the major characters are guilty of various sins and offenses--adultery, selfishness, greed, rage, betrayal. A supporting character is revealed as a pedophile and murderer. But until the denouement, he appears more sympathetically than some of the major characters.
In Rima and Chloe the adulterous love affair jumpstarts and drives the plot. Lovers betray spouses and sometimes deceive one another. But, I do believe, it is in the cause of a deeper understanding of human nature, and the ultimate redemption of the characters.
RIMA AND CHLOE, AVAILABLE FROM AMBER QUILL PUBLISHERS IN JANUARY 2016
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